Operating at the intersection of data visualisation and urbanism, the Atlas work of Dutch book designer Joost Grootens is without peer. At its best, graphic design and data visualisation reveals new truths, ways of seeing and understanding. In Grootens' work on publications such as the Metropolitan World Atlas this focus has been on the urban realm, and in Atlases such as the New Dutch Water Defence Line, and the Vinex Atlas, specific aspects of the Dutch built environment. But while they may be preoccupied with specific elements of the Dutch landscape, they reveal a process of representation which rewards patient study.
" Its position in the landscape, the forts, the inundation system, the geomorphology, the strategic system and recent developments can be read off in maps rendered so as to give an understanding of all aspects of the defence line landscape. The defence line reveals itself as a many-tentacled military defensive system of forts, group shelters and polders that can be flooded at the threat of war. The maps show the cohesion of the defence line as a landscape-strategic structure as well as the topographic composition of this structure in layers and components. The more detailed maps of the forts display the wealth of historic places, insertions in the landscape and defining elements."
As with the Vinex Atlas, an exhaustive, analytical guide to the Vinex districts across the Netherlands, a seemingly dry topic of limited appeal is embued with a rigourous aesthetic sensibility.
In December this year, 010 will publish an Atlas of the Conflict - Israel-Palestine, designed by Grootens, and in January 2010 a Grootens monograph entitled I swear I use no art at all will be published, taking an analytic, atlas-like approach to mapping his own work:
"A monograph that works like an atlas, it charts in a systematic and neutral fashion the first 100 books designed by Grootens in the past ten years. In the first chapter, ’10 years’, Grootens uses timelines, lists and plans to trace the course of his career as a designer, the people he works with, the places where the work gets done."
You can find out more about the work of Joost Grootens studio at his website, and watch video interviews here and here.
Puts me in mind of Ryoji Ikeda's datamatics / datatron work in visualising/auralising data patterns such as computer code.
His current installation at Birmingham's Ikon Eastside (closes 6 Nov 09) is an immersive fast-frame mindfuck in the dark. And on 24 Nov he brings his datatron [ver 2.0] 'concert' to the CBSO centre in Birmingham. Earplugs provided (it says here).
Check him out at www.ryojiikeda.com
Posted by: Karl Held | November 04, 2009 at 09:54 AM